Tying Paragraphs and Thoughts Together: Using “Furthermore” and Other Joining Words

TL;DR

Transitional phrases such as however, furthermore, moreover, and thus tie thoughts, sentences, and paragraphs so copy does not feel disjointed. Use lighter joins like and or but in informal work, and shift to more formal connectors when the brief calls for it.

  • Why it matters: Readers abandon pages that feel like unconnected sentence stacks.
  • How it works: A transition signals more is coming on a point, or that a takeaway is landing, without one endless sentence.
  • Reality check: Over-seasoning with transitions is as obvious as skipping them and sounding choppy.
  • The bottom line: Match connector formality to the piece, and to the client if you are ghostwriting.

When writing, whether you are writing something fun, a non-fiction or fiction book, a marketing project or a white paper, you don't want your writing to sound disjointed. Using certain words to tie everything together makes your writing stand out and can help you become a skilled writer for any subject. Disjointed writing is tiresome to read and strings of sentences without flow are difficult if not impossible to achieve without using some type of transitional phrase.

What is a Transitional Phrase

A transitional phrase ties thoughts together. Words such as “and,” “but,” “however,” “furthermore,” “moreover” and “thus” tie thoughts, sentences and paragraphs together. Transitional phrases could be conjunctions, adverbs or prepositional phrases. You can use these words anywhere within a paragraph, but they are especially useful when you need to break one long thought up into a couple of paragraphs. Reading something without paragraph breaks sends most people into conniptions, and they will often leave the page or the entire web site.

To Use or Not to Use Transitional Phrases

In some schools of thought, using transitional phrases is verboten. However, that should not be the case in most types of writing. When you use a transitional phrase, you let the reader know that there is either more to come on the subject or a take-away on the subject. Furthermore, it tells the reader there is more to come on the subject – even if only one sentence. It’s also a good way to continue a thought within a paragraph instead of writing a long sentence.

But here’s the practical side that rarely gets mentioned: transitional phrases aren’t just about flow. Sometimes you’re staring at a run-on or a pile of short sentences, and nothing feels quite right. Dropping in a simple “however” or “and yet” lets everything breathe a bit. It buys you some space, lets the reader reset their attention, and honestly, just makes the experience less boring. People underestimate the relief of a well-placed pause in a crowded paragraph.

There’s also that awkward moment when you realize your first draft sounds like it’s been punched out by a robot. Transitional phrases are a sneaky trick for smoothing over those rough edges, especially in early edits. Honestly, they’re kind of like seasoning—overdo it and everyone will notice, but skip them and suddenly the whole thing tastes bland. If you ever wonder why your sentences aren’t connecting, it’s probably not your ideas—it’s the grout between them that’s missing.

Where to Use Transitional Phrases

Transitional phrases are usually found at the beginning of a sentence. You can also use transitional phrases between sentence parts and within parts of sentences. A writer can use them in the same paragraph or as a lead-in to a second paragraph. However, there are times when you don’t want to use “and,” “but” or “or” and these include formal writing. When you need a transitional phrase in formal writing, you should use “however,” “thus,” “moreover” and “in addition.”

These words often sound too “formal” for informal writing, so although your favorite grammar checker tells you to use “in addition” instead of “and,” you might want to leave the “and” at the beginning of the sentence.

When It’s All Said and Done…

Ultimately, it is your choice to use transitional words – or the choice of the person for whom you are ghostwriting. The best ghostwriter will know whether a client prefers not to use transitional phrases – or may even debate whether they should be used. In this writer’s personal experience, though, most clients tend to think writing is choppy if the copy doesn’t use transitional phrases.

Frequently Asked Questions

What words connect sentences and paragraphs together?

They are transitional phrases. The article names examples such as and, but, however, furthermore, moreover, and thus, and notes they can be conjunctions, adverbs, or prepositional phrases. Place them where a thought needs a bridge, especially when one long idea splits across paragraphs.

Where should you put transitional phrases?

They often open a sentence, but they can also sit between sentence parts or lead into a new paragraph. Use them inside a paragraph to continue a thought, or at the top of the next paragraph to keep the thread visible. If a page has no paragraph breaks at all, fix structure before you sprinkle connectors.

Which transitions fit formal writing better?

For formal prose, prefer however, thus, moreover, and in addition when you need a join. The article advises against leaning on and, but, or or in those contexts, while noting the same formal words can sound stiff in casual copy. Match the register to the audience instead of obeying a grammar checker blindly.

Should ghostwriters always use transitional phrases?

Not always. The close says the choice may belong to the client, and a strong ghostwriter learns that preference. In the author's experience, most clients still read copy as choppy when transitions are missing, so default to moderate use unless the brief says otherwise.

MM Matt Montenegro